Looking Back. Looking Forward.
What does it mean to be a craftsman today? This question has guided Sanchari from the beginning. Every artisan has answered it differently. Khalid Amin Khatri's answer has been to see no separation between artisan and artist. Craft is often understood through tradition. Khalid begins with that tradition, but he does not end there.
He learned the craft from his father and maternal grandfather in Ajrakhpur. Years later, after spending time in Mumbai, he returned with a different way of seeing - the memory of city’s crowded streets, layered buildings, weathered textures and restless movement stayed with him.
He began using brushes, painting, layering, overprinting and erasure alongside traditional block printing. These were not departures from Ajrakh, but to discover what more it could hold. During a discussion, Kirit Dave (design mentor for Sanchari) introduced Khalid to Jan Kath's Erased works and the idea of erasure in art. Khalid’s response was immediate: “Yes, that's me.” He spent the following months immersed in the idea, developing a new body of work. The breakthrough was not in borrowing the technique, but finding an idea that matched his own instinct.
Moments like these explain Sanchari better than any statement of intent. We do not begin with solutions. Instead, we introduce ideas, artworks and conversations, trusting that the artisan will recognise what belongs to them.
The works in this exhibition move through architecture, landscapes, memory, human settlements and gesture, each using Ajrakh in ways that are both deeply rooted and deeply personal.
This exhibition is Khalid's first solo show. It follows Kachchh Born Again and Triumph of Kachchh, where his work first appeared as part of a larger group of artisans. Today, his work stands on its own. That moment matters beyond one exhibition. Many artisans from Kachchh are watching closely. They are curious to see what a solo exhibition by one of their own can make possible.
Perhaps that is what this show is really about. Not leaving tradition behind, but discovering how much more it can hold.
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